The Story of "I'm Alabama Bound"

Jelly Roll Morton

Time In Mobile

Jelly Roll Morton

King Porter Stomp

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The Story of "King Porter Stomp"

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Jelly Roll's Background

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Music Lessons

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Miserere

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The Stomping Grounds

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The Style of Sammy Davis

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Tony Jackson Was the Favorite / Dope, Crown, and Opium

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Poor Alfred Wilson

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Honky Tonk Blues / In New Orleans, Anyone Could Carry a Gun

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New Orleans Was a Free and Easy Place

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The Story of Aaron Harris

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The Story of Aaron Harris, Continued / Aaron Harris Blues

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Aaron Harris, His Hoodoo Woman, and the Hat That Started a Riot

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The Story of the 1900 New Orleans Riot and the Song of Robert Charles

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The Story of the 1900 New Orleans Riot, Continued

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Game Kid Blues

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New Orleans Funerals

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Funeral Marches

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Oh, Didn't He Ramble?

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Tiger Rag Third, Fourth, And Fifth Strains

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Tiger Rag

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The Right Tempo Is the Accurate Tempo

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Jazz Discords and Story of the Kansas City Stomp

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Tighten Up

Archie Bell & the Drells

Slow Swing and "Sweet Jazz Music"

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Salty Dog / Bill Johnson, Jelly's Brother-in-Law

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Hestitation Blues

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My Gal Sal

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The St. Louis Scene

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Maple Leaf Rag, St. Louis Style / Maple Leaf Rag, New Orleans Style

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Jelly Roll Carves St. Louis

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Jelly Roll Carves St. Louis, Continued

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New Orleans Blues

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Winin' Boy Blues

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Winin' Boy Blues

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The Anamule Dance

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The Anamule Dance, Continued

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The Great Buddy Bolden / Buddy Bilden's Blues

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The Great Buddy Bolden, Continued

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Mr. Jelly Lord

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How Jelly Roll Got His Name

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Original Jelly Roll Blues

Jelly Roll Morton, Johnny St. Cyr

Honky Tonk Blues

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Real Tough Boys

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Sporting Attire and Shooting the Agate

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Sweet Mamas and Sweet Papas

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See See Rider

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Parading With the Broadway Swells

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Fights and Weapons

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Luis Russell and New Orleans Riffs

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Jelly's Travels: From Yazoo to Clarksdale

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Jelly's Travels: From Clarksdale to Helena

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Jelly's Travels: From Helena to Memphis

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In Memphis: The Monarch Saloon and Benny Frenchy

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Benny Frenchy's Tune, Continued

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Make Me a Pallett On the Floor

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Make Me a Pallett On the Floor, Continued

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Make Me a Pallett On the Floor, Part 3

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Make Me a Pallett On the Floor, Concluded

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The Dirty Dozen

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The Murder Ballad, Pt. 1

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The Murder Ballad, Pt. 2

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The Murder Ballad, Pt. 3

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The Murder Ballad, Pt. 4

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The Murder Ballad, Pt. 5

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The Murder Ballad, Pt. 6

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The Murder Ballad, Pt. 7

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Fickle Fay Creep

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Jungle Blues

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King Porter Stomp

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Sweet Peter

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Hyena Stomp

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Wolverine Blues, Begun

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Wolverine Blues, Concluded

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State and Madison

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Pearls

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Pearls

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Bert Williams

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Freakish

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Pep

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The Georgia Skin Game

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The Georgia Skin Game, Continued

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The Georgia Skin Game, Conclusion

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Ungai Hai

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New Orleans Blues

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The Spanish Tinge

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Improving Spanish Tempos

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Creepy Feeling

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Crave

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Mamanita

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C'était N'aut' Can-Can, Payez Donc

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Spanish Swat

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Ain't Misbehavin'

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I Hate a Man Like You / Rolling Stuff

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Michigan Water Blues

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Winin' Boy Blues

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Winin' Boy Blues

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Boogie Woogie Blues

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Buddy Bertrand's Blues

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When the Hot Stuff Came In

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The First Hot Arrangements

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The Pensacola Kid and the Cadillac Café

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At the Cadillac Café, Los Angeles

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Little Liza Jane, Continued / On the West Coast

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In the Publishing Business

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Original Jelly Roll Blues

Jelly Roll Morton, Johnny St. Cyr

Jelly Roll's Early Playing Days In the District

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Hot Bands and Creole Tunes

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Eh, la Bas

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Old-Time Creole Musicians and the French Element

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Playing Hot With Buddy Bolden

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High Society

Alphonse Picou, Jelly Roll Morton, Paul Dominguez, Jr.

Sporting Life Costumes

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Buddy Bolden: Man and Musician

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Creoles Playing With Negroes: Getting That Drive

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Jelly Roll's Compositions

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How Johnny St. Cyr Learned to Play Guitar

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Guitar Blues

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Bad Men and Pimps

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The Story of the Coon Blues

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Coon Blues

Alphonse Picou, Jelly Roll Morton, Paul Dominguez, Jr.

Jazz Is Just a Makeup: Buddy Bolden, Honky Tonks, Brass Band Funerals, and Parades

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Young Sidney Bechet: Jim Crow and the Dangers of the District

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The Main Idea In Jazz: "Just Watch Me" - Improvising and Reading Music

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Of All His Mother's Children He Loved Jelly the Best

Jelly Roll Morton